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Introduced with a self-effacing four-line doggerel written by George Hangar, 4th Baron Coleraine, around the turn of the 19th Century, it’s a hallucinogenic funk groove over which Francis channels Tom Waits to tell of the 1973 foundation of the remote town of Colrain (named after George’s father Lord Baron Coleraine) in Massachusetts.

But the song that really makes ‘Doggerel’ sound as though it’s been recorded directly onto brown-edged scroll is the title track. Joey gets in on the elemental mysticism action too, penning the lyrics to the Beatledelic ‘Pagan Man’, a bright-eyed lament for ancient nature worshipping ideals as we hurtle towards 1.5 degrees. Which gives a whole new meaning to the phrase ‘bad moon rising’.

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The dreamy alt-pop hymnal ‘The Lord Has Come Back Today’, and ‘There’s A Moon On’, a grimy roadhouse rocker which finds the full moon transforming Francis into a raving horndog. The folk pop ‘Thunder & Lightning’, where a roll of thunder rattling New York City on a trip to a vegetable market transmogrifies into the roar of war racing towards us from distant lands. There’s ‘Haunted House’ – ‘Doggerel’’s melodic masterpiece and a sister-piece to both ‘Here Comes Your Man’ and ‘Catfish Kate’ from ‘Beneath The Eyrie’ – in which, driven by some undefined present day desire, Francis sets out for an old English pile to capture the echoes of previous lives that once inhabited the place with a séance song of sweeping 1950s elegance. Timeless songs rooted in folk melodies and classic rock’n’roll, in thrall to the elements, heavenly bodies, human failings and the mysteries lying an inch beyond our mortal dimensions.

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More inclined to growl than howl these days (although his tracheal beast breaks free on ‘Dregs Of The Wine’) his maturing tone makes him sound like a cult elder, crooning and snarling tales of loss and legend around entranced campfires. Much of this evolution, then, is down to the changing face of Black Francis’s songwriting. David Lovering still sounds as though he’s drumming in some dungeon beneath a ruin on the borderlands. Paz respectfully honours Kim Deal’s brand of hook-chasing bassline and deadpan backing vocal. Joey Santiago continues wringing trademark wails, roars and viper strikes from his guitar like some cornered desert wildcat.

READ MORE – Pixies: “This is the most grim and dystopian it’s ever been in my lifetime”ĭespite shifts in personnel, the core elements of Pixies’ magic remain untampered.

Menace, with a more sophisticated aftertaste

But as bassist Paz Lenchantin and now-regular producer Tom Dalgety have become infused into the band’s complex formula, adding touches of orchestral largesse and dusky grunge pop, it’s only with 2019’s gothic-tinged ‘Beneath The Eyrie’ and this eighth album ‘Doggerel’ that a Pixies thick with experience have evolved a cultured new flavour worthy of their esteem oak-aged yet sparkling, rich yet earthy, musty notes giving way to bright sensations. Their first few comeback records (2014’s ‘Indie Cindy’ and 2016’s ‘Head Carrier’) found fresh harvests from the same soil remarkably palatable. Pixies’ seminal early albums – the very bedrock of modern alternative rock – were sharp and biting vintages: young and stinging, unrefined, spiced with Latino lust and melodic fury and prone to induce intoxicating visions both sci-fi and Biblical.

…Fogerty would often have fun with this trope, sometimes pointing to a nearby bathroom from the stage when he got to the famous misheard line.Menace, too, matures like fine wine.

The line “There’s a bad moon on the rise” is often heard as “There’s a bathroom on the right.” Not only do many people sing the wrong lyrics, but….

The song is upbeat and you can’t help but to dance and feel good, but the lyrics are admittedly rather dreary. Overall, he said the song is about the “ apocalypse that was going to be visited upon us.” This is where he got the idea for the words “I feel the hurricane blowin’, I hope you’re quite prepared to die.”

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The movie is tells a story in which natural disaster wipes out an entire town. John Fogerty explained the song was inspired by a movie called The Devil And Daniel Webster.